Billy Elliot ( Jamie Bell, as Griffin) explains that since Medieval Times (I believe there's one in Schaumburg) the Palladins have been hunting the Jumpers. "Jumper" may as well be subtitled "The Trouble with CGI." Anything can happen, and usually does, but so what?īy the time Mace Windu shows up with white hair and a light-taser ( Samuel L. When such miracles can can occur anytime, without reason or explanation, then life and plots are meaningless. It's implied that the jumper may have to have visited a place before he can jump to it, but maybe not, so never mind. And if it doesn't matter to them, why should it to us? David can plop into a throng of extras anywhere in the world - the streets of Tokyo or a London pub - and except for this one kid at the Detroit airport, not one person bats an eyelash. But, either way, nobody pays any attention. Sometimes when David jumps he busts up the walls or floors and generates a lot of dust or water damage sometimes he doesn't. It's every travel agent's nightmare: You can go anywhere in a blink - picnic on the head of the Sphinx, hang out with the minute hand on Big Ben as if you were Mary Poppins. It's every Don Juan's fantasy: You can pick up a hot blond babe in a bar, have sex with her, and disappear immediately afterwards. It's every kid's fantasy: Find yourself in a bad situation and pop right out of it.
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Poor David lives with his mean alcoholic dad Henry Portrait of a Serial Killer ( Michael Rooker, as William) in a room with posters of Einstein and Kurt Cobain. In the Prologue, David has a crush on this girl named Millie (mostly "The OC"'s Rachel Bilson) but there's a bully named Biff - er, Mark (entirely Jesse James?). There's just this guy named David (mostly played by 26-year-old Hayden Christensen, but sometimes by 19-year-old Max Thieriot, though the use of separate actors is superfluous since one doesn't look appreciably older than the other) who can jump from, say, New York to Tokyo instantaneously. Fortunately, I can't risk giving away too much of the story because there isn't one. And there is one inviolable rule: No Girls in the Lair!ĭoes this make any sense to you? No? Good, then it's not just me. However, it's the sexual assault by basketball star Clay Boone (Tanner Stine), the youngest son of a powerful local car dealer, that's the turning point, both for Henry and for Impulse.Let me jump back and correct that: The title proper is "Jumper," but the port for the sequel is installed into the Epilogue. When a confrontation with a teacher triggers one of those seizures at school, it becomes clear - at least to autistic student Townes Linderman, played by Daniel Maslany, who notices objects subtly moving in the classroom - they're not a symptom of a medical condition but a manifestation of a superpower.
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RELATED: Impulse Series Teaser Sets Up a Dark, Moody Heroic Origin Story But Reston, a small town in Upstate New York, feels different, at least to Cleo, who's settled into a comfortable routine, interrupted only by Henry's rebellious streak - broken curfews, graffiti, classroom outbursts - and unexplained seizures that make the teen feel like even more of an outsider.
And that recipe somehow works, mostly.Īll but ignoring Gould's 2013 novel of the same name, Impulse instead follows 16-year-old Henrietta "Henry" Coles (played by Maddie Hasson), who's dragged by her restless mother Cleo (Missi Pyle) from city to city and boyfriend to boyfriend, never putting down roots. Rather, it's a young-adult drama that's one-part Fargo and two-parts 13 Reasons Why, with just a dash of superpowers. Sure, the new YouTube Red series is executive produced by Doug Liman, who directed the 2008 sci-fi action film, and based on the fictional world created by author Steven Gould, but the connections largely end there.
If, for some reason, you're looking for a sequel to Jumper, you won't find it in Impulse.